The Musical

Before the revelation, Mahoma had, necessarily to have been present in such ceremonies. If the prophet approved or disapproved music considered later, but the truth is that in the Corn there is no a single word against her. Towards year 661, that corresponds to the death of Al, the fourth orthodox caliph, the Arabs executed only one cantinela based on the rythmical values of the spoken language; this cantinela knew two forms of rate: the one that had to the passage of the camel and trote of the horses. Besides the songs of caravan, the Arabs pre? Islamic they also owned you chose funeral, songs soldiers, loving songs of trip and songs. To the Arab, it accompanied it to music from the cradle to the tomb; for every moment of its life it had a special music: in the pleasure, the pain, the work, the game in the din of the battle and the religious devotion. Between 661, establishment of the Califato de Omeya in Damascus and the 833, time of the Abasida dynasty, Arab music evolves by means of the Greek and Persian influence; it learns to free itself of the rate imposed by the spoken language and acquires the sense of the properly musical measurement. Ziryab, great musician and theoretician who settles in A? Andalus, obtains that Cordova and Granada is elevated in centers of Arab musical art giving to western Arab music an own character, opposed partly, to the school of Baghdad since, whereas the one of Baghdad it is based on the technique, the one of Ziryab psico is based on the physiological action that exerts music like therapeutic. It was during his permanence in Spain when the Arabs took the musical art perfectly, determining the characteristics of the great cantatas, calls still Nauba? Ghernata (Naubas of Granada). Although the musical music and instruments legally were prohibited, the spiritual effects of music clearly were recognized.

Last Modified on October 22, 2019
This entry was tagged with
this article The Musical